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Jul. 20th, 2004 09:46 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
taratemimaMy sister picked me up after work. I've learned more about my younger siblings and their friends than I want to know.
I also got some work on the manga script done. I guess since I actually feel like I am one half of a team (as opposed to a writer looking for an illustrator), I am finding I am writing less direction on the manga script than the other comic script. One reason I actually trust her to do decent drawings. Another, I have to take time to remember to let the information be visual as well as verbal, rather than trying to handle both.
Hanna-Barbera's history of suck includes apparently "The Perils of Penelope Pitstop," which consists of a young blonde Southern belle stereotype getting menaced by this green caped villain. Somehow by resourceness, luck and the Seven Dwarfs as gangsters, she gets out of it. The only question is why? Why is the Hooded Claw obsessed with slowly and elaborately killing her? Is this some sort of repressed Freudian thing?
I also got some work on the manga script done. I guess since I actually feel like I am one half of a team (as opposed to a writer looking for an illustrator), I am finding I am writing less direction on the manga script than the other comic script. One reason I actually trust her to do decent drawings. Another, I have to take time to remember to let the information be visual as well as verbal, rather than trying to handle both.
Hanna-Barbera's history of suck includes apparently "The Perils of Penelope Pitstop," which consists of a young blonde Southern belle stereotype getting menaced by this green caped villain. Somehow by resourceness, luck and the Seven Dwarfs as gangsters, she gets out of it. The only question is why? Why is the Hooded Claw obsessed with slowly and elaborately killing her? Is this some sort of repressed Freudian thing?
